SHAFT ('71) Private Eye Richard Rountree and similar items
SHAFT ('71) Private Eye Richard Rountree Hired By Crime Lord to Find Daughter 1S
$275.00
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View full item details »
Shipping options
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
Refunds available: See booth/item description for details
Details
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
Used |
Country/Region of Manufacture: |
United States |
Size: |
27x41 inches |
Industry: |
Movies |
Object Type: |
Poster |
Original/Reproduction: |
Original |
Item Number: |
P-SHAFT-1S2 |
LOC: |
SCI-B1 |
Modified Item: |
No |
Movie: |
Shaft |
Distributor: |
Metro-Goldwyn-Mayer (MGM) |
Year: |
1971 |
Director: |
Gordon Parks |
Item: |
Vintage original US one-sheet poster |
Actors: |
Richard Rountree, Moses Gunn, Charles Cioffi |
Listing details
Seller policies: | |
---|---|
Shipping discount: |
No combined shipping offered |
Posted for sale: |
More than a week ago |
Item number: |
827737842 |
Item description
Vintage original 27x41 in. US one-sheet poster from the classic 1970's action/crime thriller, SHAFT, released in 1971 by Metro-Goldwyn-Mayer (MGM) and directed by Gordon Parks. John Shaft (Richard Rountree) is the ultimate in suave black detectives. He first finds himself up against Bumpy Jonas (Moses Gunn), the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia, who are trying to blackmail Bumpy by kidnapping his daughter.
The image on this original release one-sheet poster is one of the more recognizable movie poster images from the 1970's. It depicts Richard Rountree as John Shaft, bearing all-black leather as he shoots a gun. The film's title is rendered in large three-dimensional letters in purple beneath him. This poster was printed on both a flat and semi-glossy paper stock, and this example is printed on the semi-glossy stock, which also includes the National Screen Service credits in very small print in the bottom border (the flat version has nothing in the bottom border). Unrestored and folded as originally issued, it is in very good- condition with a yellowed Scotch tape stain in three of the four corners with random creases on each corner; varying amount of pinholes in and near each corner with a few in the side borders; small areas of separation on the middle and bottom horizontal foldline along the left edge; small scattered creases from handling over time which are fairly unobtrusive; and some Scotch tape on the verso to reinforce some of the foldlines and at the bottom center crossfold. The color tints are fresh without any signs of fading, and they are more vibrant on this semi-glossy style than they appear on the flat style.
Shaft was one of only three films MGM released in 1971 that made a profit, and it helped save the studio from bankruptcy. Moses Gunn's character, Bumpy Jonas, is based on Bumpy Johnson, an African-American mobster in the 1930's. Isaac Hayes auditioned for the title role, but the producers cast Richard Roundtree instead. However, they were so impressed with Hayes that they asked him to write the now legendary score to the film. Hayes the became the first African-American to win the Academy Award for "Best Song." The background singers in the film's theme song are Telma Hopkins and Joyce Vincent Wilson from Tony Orlando Dawn. Shaft was rumored to be written as just another detective movie, with a white detective in the lead, but, after the success of Sweet Sweetback's Baadasssss Song (1971), the film was rewritten and recast as a blaxploitation movie. This story has been told several times by director Melvin Van Peebles. However, it is probably apocryphal. The Ernest TJidyman novel which was the basis for the film is about a black detective and not a white one. Furthermore, Shaft began filming in January, 1971 - months before Van Peebles' film was released in April. Much of the action centers around 125th Street in Harlem. The exterior of Shaft's apartment was at 55 Jane Street in Greenwich Village, across the street from the (real) "No Name Bar" at 621 Hudson Street. The bar later became a deli.
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