Advance Reader's Copy/Uncorrected Proof. Collectible item.
An Advance Reader's Copy (ARC) is a paperback book published prior to the hardcover retail editions. These uncorrected proofs are published in very limited quantities. Many serious collectors consider ARCs/Uncorrected Proofs to be the true first edition. They're "not for sale" because they're intended solely for publicity and media reviews, making them rare and very collectible. ARCs may lack the final artwork, formatting, and binding of the finished product. The text of an advance edition may also differ slightly from the market book (the final version that is distributed for sale), because changes may be made after advance readers make comments or find errors in the manuscript.
The love between a daughter and her mother—and the dark secrets they keep from each other—are at the heart of this wildly imaginative novel that combines elements of The Handmaid’s Tale, Stranger Things, and Twin Peaks.“I love Heartbreaker’s outlandishness, its sizzling energy—the bright, fierce music in every sentence.”—Leni Zumas, author of Red ClocksIt’s 1985. Pony Darlene Fontaine has lived all her fifteen years in “the territory,” a settlement founded decades ago by a charismatic cult leader. In this strange town run on a sinister economic resource, the women crimp their hair and wear shoulder pads, and the teenagers listen to Nazareth and Whitesnake on their Walkmans. Pony’s family lives in the bungalow at the farthest edge of town, where the territory borders the rest of the wider world—a place none of the townspeople have ever been.Except for Billie Jean Fontaine, Pony’s mother. When Billie Jean arrived in the territory seventeen years prior—falling from the open door of a stolen car—the residents took her in and made her one of their own. She was the first outsider they had ever laid eyes on. Pony adores and idolizes her mother, but like everyone else in the territory she is mystified by her. Billie Jean refuses to describe the world she came from.One night, Billie Jean grabs her truck keys, bolts barefoot into the cold October darkness—and vanishes. Beautiful, beloved, and secretive, Billie Jean was the first person to be welcomed into the territory. Now, with a frantic search under way for her missing mother, Pony fears: Will she be the first person to leave it too?Told from the three unforgettable perspectives of a daughter, a killer dog, and a teenage boy named Supernatural, this novel is startling in its humor and wrenching in its wisdom about the powers, limits, and dangers of love. Heartbreaker is an electrifying page-turner about a woman reinventing herself in order to survive—and a daughter who must race against the clock to untangle the mysteries left in her mother’s wake.
Editorial Reviews
Review
“Heartbreaker totally bewitched me. I love its outlandishness, its sizzling energy—the bright, fierce music in every sentence.”—Leni Zumas, author of Red Clocks
“A fierce exploration of memory and zeitgeist . . . Heartbreaker is a darkly comedic weirdo of a book that pulls the string of nostalgia from one side while unraveling it from the other.”—The Paris Review
“This is a book like no other. It’s eerie, it's cult-y, it's so very exciting, and I never wanted it to end.”—Buzzfeed, Best Books of Fall 2018
“One of the best surprises of 2018. A small rural town, a mother disappeared, a daughter left behind, secrets peeled away in layers. Weird, deeply creepy, written in punchy prose that rolls along and always leaves you wanting more.”—San Francisco Chronicle
“Claudia Dey renders 1985 in perfectly crimped, shoulder-padded detail. Fifteen-year-old Pony Darlene Fontaine has lived her entire life in the ‘territory,’ an isolated town founded decades earlier by an enigmatic cult leader and run on a sinister economic resource. . . . Come for the Shyamalanian premise. Stay for the hard-rock soundtrack.”—Chicago Tribune
“Heartbreaker is an incandescent flare of a novel, acrobatic, devastating—and wickedly funny. It is effortlessly sly and fresh in its language, and I loved it.”—Sophie Mackintosh, author of The Water Cure
“Told from the perspectives of Pony, a dog, and a teenage boy, this book shows the magic of Dey’s imagination.”—The Millions
“Disturbed, seductive and thrilling.”—i-D Vice
“Masterful, beautiful.”—The Rumpus
“What begins as a simple mystery—a daughter attempting to investigate the sudden disappearance of her mother—turns into a much stranger and more engrossing tale. . . . Dey deepens this dark fantasy through the imaginatively detailed, keen observations of teen narrator Pony Darlene Fontaine, who muses about her place amid this blank landscape while anchoring the proceedings with sly pop-culture references. Dey’s rich prose drives the story with poetic acuteness.”—LA Weekly
“A mashup of Stranger Things and Martha Marcy May Marlene.”—The Hollywood Reporter
“Haunting . . . lyrical . . . The most original novel I’ve read in some time.”—Electric Lit
“A dark star of a book, glittering with mordant humor and astonishing, seductive strangeness and grace. I am a giant fan of Claudia Dey’s wild brain.”—Lauren Groff, author of Fates and Furies
“Heartbreaker gave me chills all the way through. It is deeply original—in its wildness, its structure, its wisdom, and its world. It convinced me that the deepest of human (and animal) urges is the pull to find one’s true home—which lies in the hearts of just a few others. I floated in the perfection of its ending. I loved this novel’s shining sensitivity. I loved its every page.”—Sheila Heti, author of Motherhood and How Should a Person Be?
About the Author
Claudia Dey is the author of Stunt, a Globe and Mail and Quill & Quire Book of the Year. Her plays have been produced internationally and nominated for the Governor General’s Award and Trillium Book Award. Dey’s writing has appeared in many publications, including The Paris Review and The Believer. She has also worked as a horror film actress and a cook in lumber camps across northern Canada, and is co-designer of Horses Atelier. Claudia Dey lives in Toronto. Heartbreaker is her American debut.
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