Item description for Mario Lanza – Lanza Sings Christmas Carols Vinyl LP Record Album MONO LM-2029

This listing is for Mario Lanza – Lanza Sings Christmas Carols Vinyl LP Record Album MONO LM-2029.

Label: RCA Victor Red Seal – LM-2029

Format: Vinyl, LP, Album, Mono

Genre: Pop, Classical

Style: Vocal, Holiday

Condition: Jacket: Good (top & bottom seam splits) Vinyl: Very Good

A1 The Lord's Prayer 3:18

A2 The First Noel 4:18

A3 O Come, All Ye Faithful (Adeste Fideles) 3:38

A4 Away In A Manger (Luther's Cradle Hymn) 3:20

A5 We Three Kings Of Orient Are 3:04

A6 O Little Town Of Bethlehem 3:09

A7 Silent Night 4:00

B1 Deck The Halls (Old Welsh Carol) 1:23

B2 Hark! The Herald Angels Sing 2:23

B3 God Rest Ye, Merry Gentlemen 4:15

B4 Joy To The World 2:23

B5 O Christmas Tree 1:45

B6 I Saw Three Ships 1:17

B7 It Came Upon A Midnight Clear 2:48

B8 Guardian Angels 3:21

Mario Lanza (US: /ˈlɑːnzə, ˈlænzə/ LA(H)N-zə, Italian: (ˈmaːrjo ˈlantsa); born Alfredo Arnold Cocozza (alˈfreːdo koˈkottsa); January 31, 1921 – October 7, 1959) was an American tenor and actor. He was a Hollywood film star popular in the late 1940s and the 1950s. Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing. Prior to that, the adult Lanza sang only two performances of an opera. The following year (1948) he sang the role of Pinkerton in Puccini's Madama Butterfly in New Orleans. His film debut for MGM was in That Midnight Kiss (1949) with Kathryn Grayson and Ethel Barrymore. A year later, in The Toast of New Orleans, his featured popular song "Be My Love" became his first million-selling hit. In 1951, he starred as tenor Enrico Caruso, his idol, in the biopic The Great Caruso, which produced another million-seller with "The Loveliest Night of the Year" (a song which used the melody of Sobre las Olas). The Great Caruso was the 11th top-grossing film that year. The title song of his next film, Because You're Mine, was his final million-selling hit song. The song went on to receive an Academy Award nomination for Best Original Song. After recording the soundtrack for his next film, The Student Prince, he embarked upon a protracted battle with studio head Dore Schary arising from artistic differences with director Curtis Bernhardt, and was eventually fired by MGM. Lanza was known to be "rebellious, tough, and ambitious". During most of his film career, he suffered from addictions to overeating and alcohol which had a serious effect on his health and his relationships with directors, producers and, occasionally, other cast members. Hollywood columnist Hedda Hopper writes that "his smile, which was as big as his voice, was matched with the habits of a tiger cub, impossible to housebreak." She adds that he was the "last of the great romantic performers". He made three more films before dying of an apparent pulmonary embolism at the age of 38. At the time of his death in 1959, he was still "the most famous tenor in the world". Author Eleonora Kimmel concludes that Lanza "blazed like a meteor whose light lasts a brief moment in time".

CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System.

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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