Label: RCA Victor – AFL1-4194

Format: Vinyl, LP, Album

Country: US

Released: 1981

Genre: Electronic, Classical

Style: Romantic, Classical, Modern, Contemporary, Disco, Baroque

Condition: Jacket: Good (slight cover wear) Vinyl: Very Good

Tracklist:

Hooked On Classics Parts 1 & 2 5:02

A1a Piano Concerto No. 1

A1b Flight Of The Bumble Bee

A1c Symphony No. 40

A1d Rhapsody In Blue

A1e Karelia Suite

A1f Symphony No. 5

A1g Toccata

A1h Eine Kleine Nachtmusik (1st Movt.)

A1i Symphony No. 9

A1j William Tell Overture

A1k Aria From "The Marriage Of Figaro"

A1l Romeo & Juliet

A1m Trumpet Voluntary

A1n Hallelujah Chorus

A1o Piano Concerto In 'A' Minor

A1p March Of The Toreadors

A1q 1812 Overture

Hooked On Romance 6:41

A2a Air From Suite No. 3 (Air For The 'G' Sting)

A2b Ave Maria

A2c Liebestraum

A2d 3rd Movt. Of Symphony No, 9

A2e 18th Variation From "Rhapsody On A Theme By Pagannini"

A2f Moonlight Sonata (1st Movt.)

A2g Pathetique Sonata (2nd Movt.)

A2h Clarinet Concerto (2nd Movt.)

A2i Largo

Hooked On Classics Part 3 6:07

A3a Wedding March (From A "Midsummer Night's Dream")

A3b Radetsky March

A3c Toccata (Op. 42 No. 5)

A3d Alla Hornpipe (From "The Water Music")

A3e Humoresque

A3f Lullaby

A3g Arrival Of The Queen Of Sheba (Sinfonia From Act 3 Of Solomon)

A3h Promenade From "Pictures From A Exhibition"

A3i In The Hall Of The Mountain King (From Peer Gynt Suite No. 1)

A3j Caprice No. 21

A3k The Ride Of The Valkyries

A3l Fingle's Cave (The Hebrides Overture)

A3m Military March

A3n Polonaise In 'A'

A3o Italian Symphony (1st Movt.)

A3p Light Cavalry Overture

A3q Farandole (From L'Artésienne Suite No. 2)

A3r Largo From "The New World Symphony"

A3s Prelude To Act 3 Of "Lohengrin"

Hooked On Bach 5:52

A4a Ave Maria

A4b Minuet (From The Notebook Of Anna Magdelena Bach)

A4c Badinerie (From Orchestral Suite No. 2)

A4d Brandenburg Concerto No. 3 (1st Movt.)

A4e Brandenburg Concerto No. 2 (1st Movt.)

A4f Choral From St. Matthew Passion (Erken Ne Mich Mein Hüter)

A4g Bourée No. 2 (From Orchestral Suite No. 2)

A4h Bourée No. 1 (From Orchestral Suite No. 2)

A4i Gavotte (From Orchestral Suite No. 3)

A4j Musette

A4k March

A4l Gavotte (From "French Suite No. 5")

A4m Chorale Prelude "Wachet Auf" (Sleepers Wake)

A4n Ave Maria

Hooked On Tchaikovsky 5:25

B1a Capriccio Italien (Introduction)

B1b Swan Lake

B1c Dance Of The Reed Flutes (From "The Nutcracker Suite")

B1d Romeo & Juliet Fantasy Overture

B1e Theme From 1st Movt. Of "Pathetique" Symphony

B1f Russian Dance "Trepak" (From "The Nutcracker Suite")

B1g Dance Of The Sugar-Plum Fairy (From "The Nutcracker Suite")

B1h March (From "The Nutcracker Suite")

B1i Chinese Dance (From "The Nutcracker Suite")

B1j Miniature Overture (From "The Nutcracker Suite")

B1k Theme From Piano Concerto No. 1 In 'B' Flat Minor

B1l Capriccio Italien (Finale)

Hooked On A Song 5:13

B2a Toreador Song (From "Carmen")

B2b Funiculi Funiculá

B2c Tarantella Napoletana

B2d Polovtsian Dances

B2e Dance Of The Hours

B2f Habanera (From "Carmen")

B2g Neapolitan Serenade

B2h Aria From "Madame Butterfly"

B2i Anvil Chorus (From "Il Trovatore")

B2j Toreador Song (Reprise)

Hooked On Mozart 4:12

B3a Rondo All Turca (Turkish March, From Sonata In A)

B3b Piano Sonata In C Major (1st Subject)

B3c Eine Kleine Nachtmusik (2nd Movt.)

B3d Piano Concerto No. 21

B3e Piano Sonata In C Major (2nd Subject)

B3f A Musical Joke

B3g Aria From "The Marriage Of Figaro"

B3h Overture From "The Marriage Of Figaro"

B3i Eine Kliene Nachtmusik (4th Movt.)

B3j Overture From "The Magic Flute"

B3k Horn Concerto In E Flat

B3l Jupiter Symphony (1st Movt.)

Hooked On Mendelssohn 4:22

B4a Violin Concerto In E Minor (3rd Movt.)

B4b Scherzo From Octet Op. 20

B4c Violin Concerto In E Minor (Continuation)

Hooked On A Can Can 4:56

B5a Orpheus In The Underworld (Can Can)

B5b Thunder & Lightning Polka

B5c Hungarian Dance

B5d Tritsch Tratsch Polka

B5e La Vie Parisienne

B5f Gallop From "The Dance Of The Hours"

B5g Czardas

B5h La Vie Parisienne

B5i The Poet & The Peasant Overture

B5j Can Can Reprise

Hooked on Classics, produced by Jeff Jarratt and Don Reedman, is a multi-million selling album recorded by Louis Clark and the Royal Philharmonic Orchestra, published in 1981 by K-tel and distributed by RCA Records, part of the Hooked on Classics series. The opening track was called "Hooked On Classics (Parts 1 & 2)". A unique arrangement of this track, simply called "Hooked on Classics", was released as a single in July 1981, and was the version predominately played by radio. It peaked at number 2 in the UK, number 10 in the US, and number 21 in Canada. In Germany and Austria, the album was released titled "Classic Disco" and reached number one in both countries.

CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System.

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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