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TITLE: The ARTIST'S Magazine
[Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!]
ISSUE DATE: AUGUST 1990; VOLUME SEVEN, NUMBER EIGHT
CONDITION: Standard sized magazine, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
[Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

COVER: Iris, by Mary Ann Clarke.

GLOWING FLORALS WITH CRUMPLED PAPER Wrinkle Japanese paper, wet it with watercolor and create a batik-like look that's perfect for florals. Mary Ann Clarke gives the details. Page 44.
PAINTING A SOLID, SCULPTURAL LOOK How simple shapes and softly graded pastel can produce hefty paintings. Mary Morrison reveals her secrets. Page 50.
SLIDE INTO FIRST PLACE Good, clear slides give you an edge in juried shows. Veteran juror Walter Garver shows you what works and how to get it. Page 56.
LANDSCAPE SKETCHING IN OILS A complete guide to capturing the colors and spirit of nature on the spot. Page 58.
SPECIAL SECTION: AWARD-WINNING WATERCOLORISTS The nations's top watercolorists reveal what makes a great piece. Insight from the winners of the American Watercolor Society, National Academy of Design, National Watercolor Society, Rocky Mountain National Watermedia Society and Watercolor U.S.A. Page 68.
LETTER FROM THE EDITOR How one artist developed a great idea. Page 4.
LETTERS Page 6.
THE DRAWING BOARD Crisp, convincing highlights made easy. Page 12.
ARTIST'S MARKET Should you create on computer? The pros and cons, plus 11 prime sales spots for a range of art. Page 24.
THE ARTIST'S LIFE Wearable landscapes, an old master collaboration and more. Page 40.
YOUNG AT ART Conquering the fear of blank paper. Page 86.
TECHNICAL ANSWERS Two ways cracks are caused in oil and alkyd paintings. Page 90.
STUDIO SUPPLIES Page 93.
AD GUIDE Page 103.
P.S. Dial-a-master. Page 104.


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