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VINTAGE / ANTIQUE EPHEMERA
PAPER EULOGY / OBIT CARDS
DEPICTING DIFFERENT SCENES OF
CATHOLIC & CHRISTIAN RELIGION
(16) SIXTEEN CARDS TOTAL
(1) P/S 1503 PRINTED IN ITALY VIRGIN MARY
(1) THE CROWNING W/ THORNS N/B PRINTED IN ITALY
INSCRIBED TO PRAY FOR THE END OF THE WAR.
(1) F/B 1516 VIRGIN MARY
(1) MOTHER MARY W/ BABY JESUS F/B 1509
(1) F/B 1520 INPRIME EN ITALIE CRUCIFIXION OF JESUS
(1) JOSEPH THE CARPENTER HOLDING BABY JESUS F/B 186
(1) CEGARRA "SACRED HEART OF CHRIST" OBVERSE IS PRAYER OF ST. FRANCIS OF ASSISI
(1) PRAYER FOR VOCATIONS TO THE PRIESTHOOD, IMPRIMATUR C.E. BYRNE, BISHOP OF GALVESTON, 1944, COMPLIMENTS OF HOUSTON HOLY NAME UNION
(1) OUR LADY OF VOCATIONS, WITH BABY JESUS AND TWO PRIESTS, DON GUANELLA SEMINARY, SPRINGFIELD, PENNSYLVANIA (PA)
(1) SACRED HEART OF CHRISTOS, PRINTED ITALY F/B 1501
(1) F/B 1525 PRINTED IN ITALY FATHER AND THE SON
(1) J/B CO. MODERN MADONNA W/ CHILD FITZGERALD IVY CHAPEL
(1) THE CROWN OF SUFFERING F/B 1542
(1) PICTURE CARD MATT. 7:19 EVERY TREE, OBVERSE ARE THE BEATTITUDES
(1) MARY FULL OF VIRTUE F/B 1543
(1) INFANT OF PRAGUE F/B
3"x2" PHOLIO CARDS ARE VARIED IN AGE
FROM 1944 - 1996
USED / IN FAIR CONDITION
OBVERSE OF MOST ARE AN OBITUARY OF DECEASED
INCLUDING PRAYERS AND VERSES.
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FYI
Saints are individuals of exceptional holiness who are important in many religions, particularly Christianity. In some usages, the word "saint" is used more generally to refer to anyone who is a Christian, or anyone who is in Heaven.
General characteristics
Though the term is mostly used for Christians considered exceptionally virtuous, many religions use similar concepts to venerate individuals worthy of honor in some way, e.g., see Hindu saints. John A. Coleman S.J., Graduate Theological Union, Berkeley, wrote that saints across various cultures and religions have the following family resemblances:
1.exemplary model;
2.extraordinary teacher;
3.wonder worker or source of benevolent power;
4.intercessor;
5.selfless, ascetic behavior; and
6.possessor of a special and revelatory relation to the holy.
While there are parallels between these (and other) concepts and that of sainthood, each of these concepts has specific meanings within a given religion. Also, new religious movements have sometimes taken to using the word in cases where the people so named would not be regarded as saints within mainstream Christianity. Some of the Cao Dai saints and saints of Ecclesia Gnostica Catholica are examples of such.
The anthropologist Lawrence Babb in an article about Sathya Sai Baba asks the question "Who is a saint?", and responds by saying that in the symbolic infrastructure of some religions, there is the image of a certain extraordinary spiritual king's "miraculous powers", to whom frequently a certain moral presence is attributed. These saintly figures, he asserts, are "the focal points of spiritual force-fields," exerting "powerful attractive influence on followers but touch the inner lives of others in transforming ways as well."
An icon (from Greek ε?κ?ν eikon "image") is a religious work of art, most commonly a painting, from Eastern Orthodox Christianity and Catholicism. More broadly the term is used in a wide number of contexts for an image, picture, or representation; it is a sign or likeness that stands for an object by signifying or representing it either concretely or by analogy, as in semiotics; by extension, icon is also used, particularly in modern culture, in the general sense of symbol — i.e. a name, face, picture, edifice or even a person readily recognized as having some well-known significance or embodying certain qualities: one thing, an image or depiction, that represents something else of greater significance through literal or figurative meaning, usually associated with religious, cultural, political, or economic standing.
Throughout history, various religious cultures have been inspired or supplemented by concrete images, whether in two dimensions or three. The degree to which images are used or permitted, and their functions — whether they are for instruction or inspiration, treated as sacred objects of veneration or worship, or simply applied as ornament — depend upon the tenets of a given religion in a given place and time.
In Eastern Christianity and other icon-painting Christian traditions, the icon is generally a flat panel painting depicting a holy being or object such as Jesus, Mary, saints, angels, or the cross. Icons may also be cast in metal, carved in stone, embroidered on cloth, painted on wood, done in mosaic or fresco work, printed on paper or metal, etc. Creating free-standing, three-dimensional sculptures of holy figures was resisted by Christians for many centuries, out of the belief that daimones inhabited pagan sculptures, and also to make a clear distinction between Christian and pagan art. To this day, in obedience to the commandment not to make "graven images", Orthodox icons may never be more than three-quarter bas relief. Comparable images from Western Christianity are generally not described as "icons", although "iconic" may be used to describe a static style of devotional image.
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